Brandon, OR/ID: Part III

The Noted Palace

By Jem Morgenstern

She walked onto the stage. The audience remained completely silent and listened to the click of her heels, as she sauntered to the cello that stood waiting for her in the center of the stage. John watched, like a dog presented with a plate of pulled pork, intently and excitedly with a heart readying itself for impending joy. John listened, as if her heels knocking against the stage were the music they had been waiting to hear. Although she hadn’t started playing, he could already feel the vibrations of the music that he had become so familiar with in the weeks and months of listening to her practice. He was as excited to see her perform, as she was to play. The clicking of her heels stopped, she sat on the chair, and she looked out into the audience for what seemed to her like many seconds, but it was really just a few. She felt nervous, but she wasn’t. She knew she could do this and she had no worry that she might make a mistake. The auditorium was completely silent, except for the echo of stillness and quiet. The walls anticipated the long, deep bellows of her cello.

The Philadelphus Lewisii Music Hall was built to stage massive musical performances with hundreds of people playing on the stage at once. Structurally, it was very unique. Instead of being built with depth, so that musicians could be placed row behind row behind row, it was built so that one-thousand musicians would fit on the stage with only two very wide rows and enough space between the individuals for each player to be comfortable in their skin and have the space for the instruments themselves and the movements required to play them. The architects paid no mind to the effect the arrangement would have on the sound emanating from the orchestra’s instruments; their goal was to design the most aesthetically intriguing display within the city, rather than the most technically profound orchestral stage. Because of its width, the music would always sound less harmonized and synchronous than it would on a regular stage. After the construction was complete, the architects realized this and advertised the less-than-perfect stage as a modern artwork with supposed commentary on how a person’s physical location affects the way they perceive events and time, how one person will experience an event one way and another the other way, and how a person could experience something once and then return to experience it again from a slightly different perspective and find themselves witnessing something that is completely different to what they had experienced before (this would help drive their argument that everyone should come see each performance at least twice, which would greatly increase their monetary gain for some time). Their brilliance in marketing their ineptitude as exceptional intellect paved the way for a few of these architects to move to careers in advertising.

The length of the stage made the woman’s walk to the center more exciting than it would have been, if she had walked across a regular stage. She didn’t want to seem rushed, nor did she want to take up too much time with her walking, so she practiced for hours to find the perfect measure between a brisk walk and an elegant saunter. The walk was as much of a performance as the music she would play. Her walk would preemptively define her character and personality, affecting the way her music would touch the audience’s ears. If her walk radiated confidence, it would be beautiful and subtly erotic, which is what she had hoped for (she had caught a glimpse of the audience beforehand and hoped her gentle sashay would land a few dozen scraps of paper in her dressing room, leading to more scraps of paper, plastic, and rubber in the coming nights of the week, which would be disposed of pridefully in each of the following mornings). If she reverted back to her most well-known form, a delicate arch, her music would only result in mediocre reviews and sympathetic thank-yous from women in their mid-forties, who would be reminded of themselves by the gentle innocence of a gifted and unconfident young woman (who they all feel they once were).

Still, the walls anticipated the bellowing voice of her cello. She was still sitting and in three seconds, the lights flood the stage, as had been rehearsed. She could feel the heat and the eyes latching onto her, now unobstructed by a wall of shadows. His eyes pierced her skin and she felt that, too. She barricaded herself with a deep breath, clutched the neck of her cello, and took the bow across the strings - a heavy moan. This wasn’t the song that he had heard her play before. The same notes, order, length, and tempo, but the intent had changed. It didn’t exist for him, as he felt it did while listening to her practice. She consciously made the decision to ignore his presence, which resulted in the creation of a miniscule, yet soul-altering void in his chest. Like a rash that ate away his positivity, it spread upwards and downwards, slaughtering the energetic tingling that came with his excitement to see her play her song in front of a begging audience for the first time and replacing it with an aching pulsation of worry, anxiety, and a hollow hopelessness. With the decision to disinvite his gaze, she radiated a confidence that warmed the room.

Fours hours later - no intermission between them, no pauses, and no interruptions - the music finally ended. Originally, the performance had only been set to go for two hours, but she was so pleased with how well she had been playing that she made an independent decision to extend the performance’s time by two hours. The audience, of course, was confused, but they sat still and graciously endured the additional two hours of singular-cello orchestral music because they didn’t want to seem rude. Not once during the performance did anyone leave their seat, out of respect for the confident young musician on stage. Anyone who needed to pee held it in, no matter how badly they needed to. Considering that at least half of the attendees went to the performance directly after attending the Kamen Drinking Water Convention, during which they drank a grand multitude of the booths’ samples, and that another large portion came directly from the grand opening event of the Archimedes Artisanal Water Bar next door, there was an understandable amount of uncomfortable shuffling that started about one hour into the performance and lasted for the entirety of the remaining three hours. The only audience members who didn’t seem to be in dire need of urinating were those who came directly from the event at the Bravo Watersports Arena across town. After five minutes of heavy applause, the audience shuffled their way towards the rows’ ends, into the aisles, and out the doors. She stood at the center of the stage until the last person turned their back, and then she made her exit.

She stood in the connecting hallway and buried her lungs in a deep breath. In her mind, she was rapidly pacing back and forth but - although beginning to wilt - her figure was still. Her confidence was beginning to dim and bleed into the air, but she vacuumed it all back in through her wide nostrils and pushed it back into her body, letting it spread into each corner of her body, like cotton filling the deflated skin of a stuffed animal.

She used this moment to say to herself, “Anne, it’s not going to work,” a sentence she had been hiding from herself. She knew this moment of self-honesty would dissipate and that she had to take advantage of it. It took four seconds longer than it should have for her to find her coat and bag. Luckily, her phone was lying dormant in the first pocket she checked, which saved her an indeterminate (because of the multitude of possible search-and-not-find scenarios) amount of time. It had grown cold in the hours it spent without the heat of her body keeping it warm, but it wouldn’t take long for it and her hand to rekindle their friendly bond. With only fifteen swipes of her finger, her life had changed for the undeniable better and her mood had sprouted from a horrific seed into a flourishing bouquet. A pleasant smile grew from the corners of her lips and her eyes rose from sunken pits. The string connecting him and her was cut.

A small paper - only two inches wide and one inch tall -  laid on the rug; like a primitive business card, it displayed a handwritten name and phone number. Its surface was unscathed by anything but the pristinely black ink in which the letters and numbers were written. The handwriting was nearly perfect: pronounced curves, sharp angles, and calculated length, yet it was uniquely human. It caught her attention the same way a particularly attractive ghost might. She picked it up from the floor and slipped it into the pocket of her coat, along with her phone. She left her dressing room, and The Philadelphus Lewisii Music Hall, and returned to The Property. Pushed by her excitement and general impatience, the fourteen minute drive only took her eight.

Brandon, OR/ID: Part II

Flower Stuck in Gums

By Jem Morgenstern

Anne is a recent high school graduate from West Kilby High School, which has no counterpart in the East, North, or South. It is the smallest high school in the city and is mainly reserved for the elitist children of the classist wealthy adults. Their sports teams are ranked as the worst in the region despite having the best equipment. West Kilby High School’s archrival is The Deng Xiaoping Catholic School for the Gifted, which is the school with the least and worst sports equipment and also ranks as second-best in the region despite their condemnation of extracurricular activities because, as quoted from their introductory guide, extracurricular clubs and activities distract students from achieving their full intellectual potential. West Kilby High School doesn’t have much to show for its overfunding besides its orchestral dominance over other schools’ music departments. This is mostly because the school is able to afford having a music department. Of the six high schools in the city, only three have musical classes to offer. Anne, although a student of West Kilby High School, didn’t play in the West Kilby Orchestra. Instead, she played for the Callcott Loyal Orchestra, whose home was Callcott Loyal Orchestral School for the Musically Talented. Callcott Loyal, although being dedicated to the musical arts, only had the second-best orchestra of the three schools that have music departments. This is mostly because the students of the school had no teachers. Callcott Loyal Orchestral School for the Musically Talented let the students teach themselves. Considering that many students at Callcott Loyal were completely self-taught musicians, them ranking second-best in the city is actually very impressive. Anne is a musically-gifted, 19-year-old, kind romantic. She often has a difficult time hearing what people say and is too shy to ask for repetition. She chews rose flavored gum, she hates talking to the elderly, and she too often drives over the speed limit. Her life had reached a stasis where positivity and negativity lifted each other up and dragged each other through the dirt. There was no movement in her emotional vortex, which left her with a pleasant blank feeling most of the time. This was what she had expected her life to feel like after achieving her ultimate goal, but she questioned how it could possibly feel this way if she hadn’t yet met her true love.

Anne had never cared about romance or marriage. She tried so hard not to care about romance or marriage. She almost succeeded, but she couldn’t stop herself. Love was what she wanted most, out of everything. She always had the feeling that it might be hiding around the corner, but every time she turned that corner, nothing was there. She sat in her room, listening to the wind and her neighbor’s radio that always played too loudly, thinking so fondly of her perfect future. She doesn’t want anything spectacular, nothing worth writing books about, nothing anybody would care to hear about. Anne wants a calm, sweet, clean future. Anne wants that future to be now. The love she yearns for takes time and patience - truckloads of patience - she understands that, but she can’t help it.

From outside of her bedroom window, he caught her eye. He: twenty-three and already dead inside, commonplace brown hair, commonplace white skin. His name is John, often referred to as The Gardener by Anne’s parents and - for the sake of narrative eccentricity - by me. In all honesty, The Gardener is such a boring character. He isn’t boring in a way that makes him interesting, unlike Anne, who is boring in a way that makes her quirky and relatable. The Gardener is so simply boring, but has won Anne’s love so simply by standing in her view. Henceforth, The Gardener - however uninteresting he may be - is now an important character. Anne looked at him. Only looked. She had not one thought of him, she did not listen to his rustling in the bushes beneath her window, she did not attempt to speak to him. Anne knew this was love, but how could this be it? It changed nothing and everything inside her, but how could this be it? She is drawn towards him. She wants to garden beside him so badly, despite hating working in the yard (as well as her parents, which is one reason why the hired The Gardener). She hated him already for cutting her bushes too short, but she forgave him immediately because her love would not allow her to pay mind to such a small thing. He finished with the bushes and turned the corner. Her heart bleeds with his absence, because she is so deeply in love. Anne is in love with The Gardener she knows nothing about. She does not catch another glimpse of him for the rest of the day.

It’s 8:45 PM, well past the usual 8:30 PM dinnertime. Anne glances at her clock, back at the screen of her computer, back at the clock, back at the screen of her computer, at the clock on the screen of her computer, back at the clock. It’s 8:45 PM and she has not been called down to eat whatever it is that John - The Cook, not The Gardener - should have prepared for her to eat by now. She brought herself up from her chair, casually so as not to seem angered or hurried. Then, casually, she walked to the door of her room. She opened her door, casually, as if just to use the bathroom. She stepped from her room and walked to the stairs that led downwards to the first floor of the house, which contained one of three kitchens on The Property. The first of the other two is in the basement level of The Home. The second of the other two is in The Maid’s Cottage, which is currently home to The Gardener, The Butler, The Maid, and The Laundryman. The Cook lives in The Home, along with The Breadman, The Tailor, and The Family. In all, The Property is home to only three people who are not men: The Tailor, Anne, and Mother Anne. Mother Anne is the mother of Anne, and those two are the only two women on The Property. The Tailor, who is not a woman and also not a man, is the only one on The Property to identify as either or neither. While still not identifying as either of the one-two genders, The Tailor prefers to be referred to with the use of the pronouns typically used for women: she, her, and such others that can be inferred from the given information. Of all the men on The Property, only two are not named John (John is a very common name in this city). John, the son of Father John and Anne’s younger sibling, is the youngest of the Johns. The youngest of Anne’s two siblings is one of the two men on The Property to not be named John. Mother Anne and Father John decided that naming both of their sons with the same name just wouldn’t be practical, so they named him Jon. The other man on The Property not named John is The Maid, who is named Anthony.

Anne is now in the primary kitchen. The time is 8:55 PM. The house is rather large, so it takes some time to get from room to room. The Cook is finished preparing dinner, twenty-five minutes later than usually scheduled, as requested by Mother Anne and Father John. Anne arrived just in time, along with her parents. Anne questioned her parents and asked for them to reason why dinner was scheduled twenty-five minutes later and they said plenty, but it could have been easily summarized with no good reason. They began eating: carrots and potatoes prepared in a variety of ways, caramelized onions with mushrooms, lentils, and pulled pork.

Anne needed to ask about The Gardener. She couldn’t stop thinking of him. The thought so fondly of him. Every minute of the time she spent watching him was etched into each each minute of the rest of her day and she could not stand living a minute longer without knowing who he is. The clock ticked dramatically, as if it were being held up to her head to taunt her with each passing second. She was nervous. She knew asking about him would raise her parents’ suspicion, but she had to. To herself, Anne promised that she would ask straight after swallowing the bit of mushroom that was in her mouth. She chewed slowly. Before swallowing, she paused and thought more. She made an agreement with herself to eat one more mushroom before asking her parents about The Gardener. The rearranging and rescheduling of her planned actions continued for some time, before she realized that it would never happen. She knew herself well enough to know that she would never be brave enough to ask even one thing about him. She finished eating, left her seat at the table, and began the long walk back to her room.

The time is now 10:01 PM. Anne is alone in her room. She regrets not having the courage to ask about The Gardener. She regrets not having spoken to The Gardener herself. She goes through every crevice in her mind, searching for anything to wallow over and regret. Her window is open, her room slowly loses its heat to the chill of the dark Autumn air, and her blankets have never felt more cozy. All she wants is to sleep. She wants her consuming thoughts to be brushed aside by exhaustion. Then, she wants to fall deeply into her sleep, so that her mind refuses to let those thoughts back in.

The morning came quickly (not literally any quicker than usual, but Anne felt it had). Anne woke with a startling sense of rest. She wasn’t tired and she didn’t mind the fact that she had awoken half an hour earlier than she wanted to. The sun shone brightly through her window. The Property’s figure was sharpened by the contrasting shadows and illuminations. The gentle sound of garden shears snipping at her bushes wafted upwards and into her ear. She could not believe he dared to cut her bushes any shorter, but she was glad to know that he was nearby. She peered through the immaculately polished glass, down at him. He looked just as perfect as he did the day before. The Gardener’s perfection, which is so obvious to Anne, is not obvious to most others. Even in his own narrative, The Gardener was less than important. That day, Anne was the only one to value him. He didn’t value himself, as a person. Mother Anne and Father John didn’t value him, as an employee. The Staff of The Property paid no mind to him and didn’t value him, as somebody who had shared an experience with them. His mother and his father didn’t value him, as a child. Even before speaking to him, Anne knew that The Gardener would be boring and valueless, but she loved him for being genuine. He was real. All she saw, all he showed: it was physically and limitlessly real.

After staring, watching, gazing, and glancing for weeks, Anne finally talked to The Gardener. They talked and they both enjoyed the conversations they had together. Their chats became more frequent. When Anne felt the timing was right, she asked The Gardener if he would like to go on a date. They went on a date. They enjoyed their date and they both agreed upon going on more dates, so they did. They went on many dates. This continued for many months. The Gardner changed Anne’s contact name in his phone from Anne to Anne(GF). Anne never changed The Gardener’s contact name in her phone to anything besides John. Despite their many dates and many efforts, the two never fell in love. In the end, it was Anne who put their dates to a stop. He was simply boring. Even in Anne’s ridiculously romanticized reality, his combined personality traits couldn’t create any dynamic of interest or allure. Anne’s first impression of him was completely inaccurate. It wasn’t even a struggle for Anne to decide whether or not she break her ties with the boy. One day, she simply said to herself, “Anne, it’s not going to work”, and she texted him right then and there. She didn’t take care to be gentle with it either. Anne knew that The Gardener would not flinch regardless of what it said. The day it happened, Anne removed his number from her phone, but The Gardener kept hers as Anne(GF) until the day he died. That was the first time he developed any character. He couldn’t bring himself to delete or even change the label in his contacts because, to him, it felt as if that would remove or alter a time in his life that he hadn’t even realized he enjoyed so much. For the first time, The Gardener was an actual being with actual feelings and a real personality. He acquired the trait of being sentimental. He acquired a genuine appreciation for time and memories. Now and then, he would come upon a moment he found to be beautiful yet he knew without effort that he would forget that moment only hours after. In these moments, he would strain himself to remember every detail, so that he could look back on it and recall the mundane sense of bewilderment that came from them. It was in one of these moments, only months after the day of Anne’s last text, that The Gardener died.

Brandon, OR/ID: Part I

A Baguette Shouldn’t have a Name

By Jem Morgenstern

This story begins in a not-actually-French French bakery in a not-quite-suburban division of a not-quite-recognizable city directly on the border of Oregon and Idaho. Neither state wants to claim the city for no reason other than its reputation. The city isn’t scathed with rampant crime, infestations, or insurmountable poverty. Really, claiming the city wouldn’t be burdensome in any way, but the place is so inexplicably unextraordinary that neither state wants to claim it. Residents aren’t taxed by either state, so they’re only taxed by the city and the national government, which allows the city to raise taxes by quite a bit without any complaints from residents. Because of their increased taxes, the city has been able to become quite beautiful, but still unseen and unheard of by anyone besides the residents living there. The city’s residents never feel the need to move away from the city, unless temporarily relocating for schooling or just vacation. People living outside of the city never feel the need to move into the city (people are only interested in cities they’ve already heard of and don’t care to hear about anything “near Idaho”).  There are only two difficulties for a city with no state, really. One is that people who still send mail are never sure which state to put on their envelopes and the employees of the USPS are never quite sure how this city could be here and there, but they’ve learned not to question it and they sort the mail that goes to the same city that is somehow in different states in its own category. The second is that residents don’t know which state is their “home” and don’t know which state to have pride for. Some residents decide to show no pride for either possible home state and some choose to show pride for both, but the second of which is often too much work and is the less common of the two. In smaller portions of the community, the confusion caused by having no state goes further to where they question if they even have a country or which country they belong to, which is the only explanation as to why the not-actually-French French bakery in a not-quite-suburban division of the city claims to be French while having been run by not-actually-French Americans since it was established twenty years ago.

This day’s sunrise seemed to last longer than the average sunrise, which had caught the eye of the single baker who showed up to work that day and the single customer who had begun driving to the bakery just as the sun’s cantaloupe light leaked through the outlines of his neighborhood’s rooftops and treetops. The sun rose with a certain gentility that slowed the pace of the hour, neutralized worry for the seemingly elongated passage of time, and warmed the mellow chill of the air. For the baker and the customer, the time they spent alone that morning was for each of them one of those undefinable moments that are so appreciated and then easily forgotten by the next hour. As the baker stood in reverie without disruptive thought, a piercing chime rung in the kitchen and pulled his ear towards the baking bread. He wasn’t sure if he wanted to leave his position quite yet because he knew this would result in the loss of this immaterial moment of comfort, but he had to for the sake of the not-actually-French French bakery’s reputation. He took a deep breath to say goodbye to his lull. Then, he walked into the kitchen and passed the counters topped with flour and flavorless yet decorative seeds. The baker pulled a pan of seven baguettes from the oven. The bell dangling from the door’s hinge jingled as the customer, who took a deep breath to say goodbye to his lull before he left his car, walked into the not-actually-French French bakery. This was the only bakery where he would buy breads despite it being a twenty minute drive from his home and that there were several other bakeries within a considerably closer distance. The customer had always felt like this specific bakery was more authentic than the others despite it being pseudo-French. What truly appealed to him wasn’t the bakery’s authenticity. If he had cared about authenticity, his favorite would most likely be the actually Albanian bakery just fifteen minutes away from his home. The customer actually cared about which bakery made bread the way he imagines bread should feel, smell, and taste. With the exception of their bethmännchen (which is German, not French), this not-actually-French French bakery closest fit the standards of his idealized bread.

While the customer has come to recognize the baker because of his frequent visits to the bakery over the years, the baker has yet to register the customer as a recognizable figure. The customer always feels somewhat disappointed when that baker fails to recognize him, which hasn’t gone unnoticed by the baker. The customer’s disappointment is made obvious through teeny expressions and vocalizations imperceivable by himself, but seen by bystanders and misinterpreted by those bystanders as off-standish traits that make the customer feel even more like a stranger than he should at this point with his history of customer loyalty. The baker’s inability to recognize this customer or any of the other regulars is somewhat negligent, but excusable because of his tendency to focus on the insentient instead of the living. Because many of the bakery’s regular customers give off-standish vibes of imperceivable disappointment at this baker’s inability to recognize their loyalty, the baker comes across many off-standish strangers in his line of work although they aren’t actually strangers or even off-standish.

The customer bought one of the seven baguettes and left the baker and the bakery without any exchange of words beyond the standard employee-customer conversation.

“What can I get for you today?”

Just a baguette.

“Okay. Is that all?”

Yes.

“Two dollars, please.” (Bread isn’t taxed in this city.)

Thank you.

“Thank you.”

Goodbye.

“Have a good day.” (It had been, but it soon wouldn’t be.)

The baguette was in a brown paper bag, shuffling around in the passenger seat of the customer’s car as he drove the twenty minutes back home without the witchlike sunrise illuminating his middle-class car’s worn surface. Six minutes into the drive, the customer’s car was struck by another much heavier car. The customer then died. The owner of the heavier car wasn’t unphased by the strike, but he was still in the same condition as he was before (physically, but possibly scarred mentally). The survivor looked around the intersection. There weren’t stop signs on either of the intersecting roads and the speed limit for both was 45. This hazard had simply been overlooked by anyone and the owner of the heavier car, in the end, would not be blamed for the fatal accident. Then, the survivor took his cellphone from his pocket and called the emergency dispatch hotline. The emergency dispatch hotline squad arrived shortly afterwards. The squad pried the door of the customer’s car off its hinges and onto the ground. They were actually unsure of that to do next, since this particular emergency dispatch hotline squad was composed entirely of recently trained officers who hadn’t paid much attention to the boring parts of the training process. They stood at the pried entrance of the crippled middle-class car and stared at the most brutally mangled corpse any of them had ever seen (some had seen mangled corpses before). The squad looked to the survivor, stupidly, as if he would know what to do in this situation. The survivor looked back at the emergency dispatch hotline squad. The baguette stood still in its brown paper bag, unscathed. The survivor realized the squad was staring him down for answers.

“Pull out,” he said to them with stern certainty without noticing that he forgot to say “him” between the two words he had said. The squad hadn’t noticed either, so they pulled him out.

Most of him. His stringy torso slipped out from beneath the seat and the wheel with a surprisingly low level of effort, but his waist and legs stayed put. The squad wasn’t sure how to react. They knew these were the remnants of a person, but it wouldn’t have been easy to identify as a former human without the context. They ignored the mass of boney pulled pork they just flung onto the ground and frisked the pockets. They found his cellphone, which had a chip on one of its corners, but there was no evidence showing that the accident caused the damage. The customer had always been trusting of his company and felt no need to protect his phone with a password, which made things a lot easier for the emergency dispatch hotline squad. The baguette rolled just a bit because of the squad’s interference in the car. The squad opened the phone’s list of contacts, opened the tab of recently contacted contacts, and found Anne(GF) at the top. They scrolled down a little more and found several other Annes with explanatory labels in parentheses next to them with no spaces. Anne is an incredibly common name in this city. They decided to contact Anne(GF) first. They called and she didn’t sound worried despite what they had just told her. She hadn’t actually heard most of what they had told her and she filled in the blanks with what made the most sense to her, which shouldn’t have made any sense at all. The scenario that Anne(GF) had made up to steamroll over the blanks in the conversation was that John (she knows several Johns because it’s an incredibly common name in this city) got into a car accident and they needed her to collect some items. What the emergency dispatch hotline squad had actually said to her was that some guy got into a car accident and they needed her to help identify his unrecognizable body. Anne(GF) got to the scene in twelve minutes.

“Anne,” the squad never would learn how to greet soon-to-be-scarred identifiers of corpses.

Where is it?

“In the front seat,” slightly surprised by her hurried reference to him as it.

Anne(GF) noticed the legs in the driver’s seat and figured that wouldn’t be the front seat the squad was referring to (she was still under the impression that she was collecting John’s items). She walked to the other side of the car and opened the front passenger’s door. She saw the baguette. She took the baguette.

Is that all?

“What do you mean?”

Is this all there is to take?

“We’re not sure if you’re supposed to take anything. What is it?”

Anne(GF) didn’t understand any of what they said. She decided that they must have asked what the guy’s name is, which she thought was odd because they were the first ones to mention his name. After some thought, she came to the conclusion that they were just testing her to see if she was really the Anne they called to collect the items (now item).

John.

“What is that?”

John.

The squad stared at Anne(GF) and Anne(GF) stared back at the squad. She got into her car and drove off with the baguette in her passenger seat. She was home in ten minutes.